DISCOVER THE REST OF
THE STORY: WOLFGANG AMADEUS MOZART’S REAL-LIFE SISTER “NANNERL” IS THE OTHER MOZART
Diana Wortham Theatre in downtown Asheville presents The Other Mozart, the true, untold
story of Maria Anna Mozart, Wednesday & Thursday, March 15 & 16 at 8:00
p.m. as part of the weeklong festival, Asheville Amadeus. The sister of
Wolfgang Amadeus, nicknamed “Nannerl,” was a prodigy, keyboard virtuoso, and
composer in her own right who performed throughout Europe with her younger
brother to equal acclaim. Yet Nannerl was overshadowed by Wolfgang Amadeus, and
her story faded away, lost to history.
Maria Anna (called Marianne and nicknamed Nannerl) was – like
her younger brother – a child prodigy. The children toured most of Europe (including an
18-month stay in London in 1764-5) performing
together as “wunderkinder”. There are contemporaneous reviews praising Nannerl,
and she was even billed first. Until she turned 18. A little girl could perform
and tour, but a woman doing so risked her reputation. And so she was left
behind in Salzburg, and her father only took Wolfgang on their next journeys
around the courts of Europe. Nannerl never toured again.
Not to be deterred by history, actress Sylvia Milo, the
production’s creator and performer, brings Nannerl to life in this fascinating
and intelligent performance, featuring a stunning 18-foot gown with exterior
corset, representative of the social restrictions in which Nannerl was captive.
Period style movement directed by Janice Orlandi creates a world of opulence
and elegance through articulate delicacy of expressive balletic gestures,
reverent court bows, and fan language. Directed by Isaac Byrne, The Other Mozart is based on facts,
stories and lines pulled directly from the Mozart family’s humorous and
heartbreaking letters.
Along with music composed by her famous brother and Marianna
Martines (a female composer who inspired Nannerl), original music was written
for the performance by Nathan Davis and Phyllis Chen (of Lincoln Center’s
Mostly Mozart Festival, the International Contemporary Ensemble and BAM) for
the instruments Nannerl knew intimately, such as clavichords, music boxes, and
bells, as well as teacups, fans, and other ordinary objects that might have
captured her imagination.
Wolfgang Amadeus Mozart repeatedly wrote that nobody played
his keyboard music as well as Nannerl could, and their father Leopold described
her as “one of the most skilful players in Europe” and that she improvises “so
successfully that you would be astounded,” yet Nannerl’s virtuoso was
sublimated.
The Other Mozart
had a critically acclaimed Off-Broadway run in NYC in 2014. The production has
toured extensively in Europe (at the Mozart Wohnhaus and the Neue Residenz in
Salzburg, at the Pasinger Fabrik in Munich, and in Estonia and Tyrol), in
Toronto, and in the U.S. (Cherry Lane Theater and Lotos Club in NYC, RVCC in
NJ, the Berkshires, Alabama, CT, TX, FL, Charleston, New Orleans, Kingston, and
San Diego). In September 2016, the play was presented at St. James Theater in
London to critical acclaim.
Enhance your
experience: Pre-show discussions, led by noted composer and percussionist
Nathan Davis, will be held in conjunction with these performances. Nathan
Davis's recent album, On The Nature of
Thingness, composed with Phyllis Chen (who also composed music for The Other Mozart), recently won the
Independent Music Award for Best Contemporary Classical Album. These
pre-performance discussions are presented by Diana Wortham Theatre on stage at
7:00 p.m. prior to the 8:00 p.m. performances, and are free to ticket holders.
Asheville Amadeus: These performances are part of
Asheville Amadeus, a ten-day festival March 10-19, 2017, celebrating the life
and music of Wolfgang Amadeus Mozart. Organized by the Asheville Symphony, this
biannual festival includes events throughout the city of Asheville; the
inaugural festival in 2015 comprised more than 65 public and private events
and performances and drew more than 20,000 people to festival events.
The Other Mozart’s
Asheville performances are made possible by Performance Sponsors Nancy Houha
and WNC Hearing and Audiology; and by Mainstage Theatre Series sponsors Bank of
America and Merrill Lynch; with additional support by Media Sponsors The Laurel of Asheville and WCQS 88.1FM.
The entrance for the Diana Wortham Theatre is marked by the
location of the theatre’s marquee between 12 and 14 Biltmore Avenue. Patrons
enter the theatre through the breezeway between Marble Slab Creamery and White
Duck Taco, and into a large interior courtyard with multiple glass doors which
lead to the theatre’s lower lobby and box office. The intimate theatre seats
just over 500 and boasts exceptional acoustics and sightlines, making it the
premier performance space in Western North Carolina. The Mainstage Series is
supported by a grant from the North Carolina Arts Council, a state agency. The
Mainstage Series 2016/2017 Season Sponsors are the Asheville Citizen-Times,
Blue Moon Water, Creative Energy, 67 Biltmore Downtown Eatery & Catering,
the North Carolina Arts Council, and the Renaissance Asheville Hotel.
To obtain more information on the Mainstage Series or to
purchase tickets for the March 15 and March 16, 2017 performances of The Other Mozart at the Diana Wortham
Theatre (Regular $35, Student $30; Child $20; Student Rush, day-of-the-show
with valid I.D. $10), call the theatre’s box office at (828) 257-4530 or visit www.dwtheatre.com.
